Industrial design student Minwook Paeng has created a robotic Third Eye that is fixed to the forehead and looks out for obstacles when the wearer's real eyes are glued to their smartphone.
The prosthetic automatically opens its plastic eyelid when the head is tilted downwards and sounds a warning buzz if a hazard is detected up to a metre ahead.
This allows users to navigate their lives while texting or scrolling through Instagram, uninterrupted by real-world obstacles.
Developed by Paeng as part of his Innovation Design Engineering degree at London's Royal College of Art and Imperial College, the project provides a satirical look at how humans are evolving into "phono sapiens".
Once a place where sea, desert, and palm groves coexisted in rare harmony, Tunisia’s Gabès Oasis stands today as one of the world’s most fragile cultural-environmental sites. At its heart is artist Mohamed Amine Hamouda, whose ecological practice offers a form of resistance—one built on memory, materials, and a return to ancestral knowledge.
Set along the quiet coastline of Kalba, Of Land and Water unfolds as more than an exhibition—it becomes a meditation on everything that moves, settles, erodes, and transforms. Drawing from the Sharjah Art Foundation Collection, the show assembles large-scale works that explore how land and sea shape identity, memory, and the fragile geographies we call home.
n November 2025, Ab-Anbar Gallery in London hosted A Cosmogram of Holy Views, a powerful exhibition by Palestinian artist and architect Dima Srouji. The show resurfaced suppressed histories, reconfigured inherited mythologies, and reclaimed the sacred through material memory and craft.