Dutch designer Van Aubel designed the lamp as part of an ongoing project to normalize solar technology by bringing it inside homes, and that's why he hung it in front of windows so it can generate its own energy.
Called Sunne, the light is equipped with photovoltaic cells and an integrated battery, allowing it to harvest and store enough energy throughout the day to light up a room at night.
Without the need for a plug or external electricals, the light is reduced to the shape of a simple oblong suspended from a steel wire at either end.
The side facing the window incorporates SunPower Solar Cells, which Van Aubel developed in collaboration with The Energy Research Centre of the Netherlands.
Once a place where sea, desert, and palm groves coexisted in rare harmony, Tunisia’s Gabès Oasis stands today as one of the world’s most fragile cultural-environmental sites. At its heart is artist Mohamed Amine Hamouda, whose ecological practice offers a form of resistance—one built on memory, materials, and a return to ancestral knowledge.
Set along the quiet coastline of Kalba, Of Land and Water unfolds as more than an exhibition—it becomes a meditation on everything that moves, settles, erodes, and transforms. Drawing from the Sharjah Art Foundation Collection, the show assembles large-scale works that explore how land and sea shape identity, memory, and the fragile geographies we call home.
n November 2025, Ab-Anbar Gallery in London hosted A Cosmogram of Holy Views, a powerful exhibition by Palestinian artist and architect Dima Srouji. The show resurfaced suppressed histories, reconfigured inherited mythologies, and reclaimed the sacred through material memory and craft.